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About:

As a bio-inspired designer and interdisciplinary researcher, Shontelle Xintong Cai is currently based in Toronto and London. Her works explore the intersections of design, art, science and technology. She experiments with information visualization, experience system and multimodal interaction with audiovisual communication technologies, programmable materials, ‘moist media’ and life science data. Her art and design practices are influenced by her academic background related to visual communication, digital media studies and plant physiology. She considers Design as Discussion: a design protocol centring around the non-human and ecological approach by sensory narratives and fictional objects. She critically and parametrically engages in designing the innovative dialogues between complex scientific knowledge, social-ecological-technical system and cross-sensory experience.

Through interdisciplinary collaboration with practitioners, her demystify, critically interrogate, and transform scientific research into multisensory interactions, transmedia storytelling that engage audiences through tactile, embodied experiences of data and science systems. She opens the discussions about the inherent values of more-than-human participatory research, technoscientific interventions, synthetic bio-design, political ecology and objecthood to the potential audience. She has shared her creative practices and design paradigm through several awards, workshops, symposiums and exhibitions in China, Canada, France and the United Kingdom.

Recent Awards:

2025 On-going

2024
The G-CROSS Creative Award (UK) 
The North American Applied Art and Design Competition  (CANADA)

2023
British Ecology Design Award (UK)
SGADC (Singapore)


Education:

OCAD University-BDes Graphic Design, With Completion of a Minor in Digital & Media Studies (2016-2020)

Royal College of Art- MA Information Experience Design, with distinction of degree dissertation (2020-2022)

*CV Request via email/DM on social media

Index 


|| 2025
Participatory Design, Experience Design, Art therapy
  1. Trillium: Transcultural Alchemy of Healing (Cultural Amalgamates, on-going)

|| 2024
Visual Impairement, Machine Learning, Exhibit Design
  1. Chromosonic Scrolls- Exhibit Design (on-going)
  2. Visual Echo- Experience research & Design, Information Symbiote  (on-going)
  3. Participatory Digital v.s Natural Remedies  (on-going research)

|| 2023
Bio-material Visualization, Experience Design of Bio-material, Regenerative Design Research

  1. Affinitive Cellulose: Narration of bio-material with coffee ground
  2. Indigenous botanical healing in digital realm (on-going)

|| 2022 
Machine Learning in Visualization and Sonification; Morphology; Biotextile

  1. Augmenting Morphology: The Artificialis Historia- Bio-visualization, Machine Learning and Museum Narratives
  2. Augmenting Morphology: A Sonic Cabinet of Curiosity (Participated in IRCAM Forum, Paris)
  3. Augmenting Hybrid Specimen: Bacterial Communication 
  4. Affinitive Cellulose research and prototype: Bacterial Cellulose in Fashion (Textile Circulatory Centre, RCA)
  5. Imaginary Landscape/Touch The Biofilm (Projection Mapping, Improvision, Collaborated with Lewes Music Group)

|| 2021
Techno-ecology; Epistolary Narrative; Bio-Data

  1. Deep Ecology and The Sublime- Online Workshop
  2. A Digital Utopia For The Institution- Spaculative Curation Plan
  3. The Tail Market- Synthetic Anatomy
  4. Countermeasure- Forum Recorder
  5. You Are Sensual in Vitro: A Visual Letter of Microfluidic Brain-on-a-chip
  6. Reciprocal Symphony
  7. Sound Commission at Stella Papaioannou’s Project “The Sound Between Us” 
  8. The Artificial C3 Plant Project


|| 2020
Posthuman Ecologies; Bio-hacking; Biological System

  1. Launch A Dream- Data sonification of a
    Stratospheric Balloon Flight, Instrument Hacking, Autopoiesis     (Ircam Forum, Paris)
  2. Dear Queen St - Locative Ambient Soundscape
  3. Posthuman Fungi Spirituality
  4. White Noise- Conceptual Visual Design For Monthly Sound Event 


|| 2019 
Posthuman Ecologies; Bio-hacking; Design Fiction

  1. Posthuman Who-Posthuman Embodiment Research
  2. Correlate You- Interactive Experience Model Design With Quantum Physics, Mind-uploading Room
  3. “Botani”- Plant Science in Education 
  4. An Orgy of Voyeurs- Novelty Seeking Mechanism
  5. Comate- Mental Health Tracking 
  6. Synthetic Dreaming - Design For Debate
  7. AI Celebrity- Design Fictions, Installation

3. The Tail Market- Synthetic Anatomy

 




Tails of the Future- Synthetic Anatomy | Moving Images | Sound Design / 2021

Synthetic Anatomy Collaborative Practice Pilot February is launched by Synthetic Anatomy Team at King's College, London in February / March 2021.  Synthetic Anatomy is a ground-breaking module that brings together bioengineering, chemistry and biology students to explore new ways of thinking about the body and innovative 3d printing techniques. Launched just three years ago, it now draws over 70 students from around the world.


The Tail Market is a Collaborative Project to respond the scientific research worked by Shahmeer Noori, Jathushan Baheerathan, Anne Jegiraj, Eashan Khan, Darya Bahraini.


“Tail is your adornment. Tail is your attachment. Tail is your manifesto.”



To respond the project “Tails of the Future” in Synthetic Anatomy, the Tail Market is a fictional proposal, speculating a possible availability of artificial tails and challenging the weirdness ofthese soft robotics to the public. The Tail Market enables the customers to browse the various tails online by categories, images and mixed reality technologies. These tails open the opportunities of prosthetic implant and embodied wearables. The Tail Market advocates that everyone has rights to speak themselves by tails. The programming systems and machine-generated images are explored to visualize the tails of the future.


The work is on progress, but you can view the recent iteration from here
Mark

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