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	<title>Shontelle Xintong Cai</title>
	<link>https://shontellexc.cargo.site</link>
	<description>Shontelle Xintong Cai</description>
	<pubDate>Tue, 06 May 2025 14:43:32 +0000</pubDate>
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		<title>Home Image Scroll</title>
				
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		<pubDate>Sat, 06 Mar 2021 18:03:07 +0000</pubDate>

		<dc:creator>Shontelle Xintong Cai</dc:creator>

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Info&#38;nbsp; &#38;nbsp;InstagramResearch&#38;nbsp; - &#38;nbsp;Communication&#38;nbsp; -&#38;nbsp;Interactivity -&#38;nbsp;Experimental Experience Design - Bio-inspired Art &#38;amp; Design
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src="https://freight.cargo.site/w/850/i/f06e774868dfb967b7b80ca6eb9ed8d6e23cc1a042058f6144fef639dbf73bc7/Screen-Shot-2021-03-12-at-4.49.10-PM.png" /&#62;</description>
		
	</item>
		
		
	<item>
		<title>Info</title>
				
		<link>https://shontellexc.cargo.site/Info</link>

		<pubDate>Sat, 06 Mar 2021 18:03:08 +0000</pubDate>

		<dc:creator>Shontelle Xintong Cai</dc:creator>

		<guid isPermaLink="true">https://shontellexc.cargo.site/Info</guid>

		<description>
Shontelle Xintong Cai
She/Her
English/French/Manderin

&#60;img width="3014" height="4000" width_o="3014" height_o="4000" data-src="https://freight.cargo.site/t/original/i/003e1e314bef429e54d3e25edc1fd5ceb5dfbb3ee4e8d12300b925ff1a42dd58/Xintong-Cai-Project-contributor.jpg" data-mid="247378465" border="0" data-scale="36" src="https://freight.cargo.site/w/1000/i/003e1e314bef429e54d3e25edc1fd5ceb5dfbb3ee4e8d12300b925ff1a42dd58/Xintong-Cai-Project-contributor.jpg" /&#62;

I am a bio-inspired artist and information experience designer. My artistic style is centered on

interdisciplinary integration, forming a transmedia language of “bio-aesthetics” and

"technological poetics". I combine scientific knowledge, biological data, digital technologies, and

immersive narration to create unconventional experiences for my audiences. In creation, I prefer

to use audiovisual communication, code, bio-materials and multimodal narration to develop

cross-sensory experiences and immersive installations.

I delved into testing and prototyping the complexity and sensuality of information experience

narratives, as well as life science knowledge and cross-sensory interactive experiences. I

regarded design as a form of discussion, following a design protocol centered around a

non-human and ecological approach through sensory narratives and fictional objects. Through

interdisciplinary collaboration with various practitioners, including musicians, computer

engineers, scientists, and critics engaged in museum studies, cellulose-based biomaterials,

bio-inspired computation, computer visions, machine learning, human embryology, microbiome,

and bioinformatics research, I have learned invaluable lessons. Working with musicians taught

me the power of sound in evoking emotions and creating immersive experiences, which I

integrated into my artworks to enhance their sensory impact. Collaborating with computer

engineers equipped me with technical skills in programming and digital fabrication, enabling me

to bring my creative concepts to life with greater precision and interactivity.

The award-winning experiences, exhibitions and collaborations have not only enriched my

creative practice but also shaped my global artistic identity as a bio-inspired artist and

information experience designer, driving me to continuously push the boundaries of art and

science integration.



	Art Inspiration and Creative Framework
	My work generates its own unique bio-frequency through the collision of XR experiences, code, sound

synthesizers, and animations.


&#60;img width="4000" height="2242" width_o="4000" height_o="2242" data-src="https://freight.cargo.site/t/original/i/755a385fa19ea2dc64c7d4206ac244f343efd0329e41b4504206a88547476b72/AI_Midjourney_14290454_.jpg" data-mid="247378479" border="0"  src="https://freight.cargo.site/w/1000/i/755a385fa19ea2dc64c7d4206ac244f343efd0329e41b4504206a88547476b72/AI_Midjourney_14290454_.jpg" /&#62;

	
My creative inspiration primarily stems from the long-term exploration of cross-disciplinary

integration between art and science. I have connected with and collaborated extensively with

scientists specializing in plant science, cellulose-based biomaterials, human embryology, and

bioinformatics. These experiences have empowered me to transform scientific data into poetic

artistic expressions, effectively breaking down the barriers between biological processes and

creative endeavors. They have prompted me to reevaluate how we visually represent various

life stages and emerging biotechnologies, while also enabling the development of a creative

system that seamlessly fuses scientific data with literary narratives. Through eco-technological

art practices, I persistently explore the sensory subjectivity of technological objects and the

expansive possibilities of poetic expression.


	
My works are primarily grounded in posthuman ecology, aiming to reexamine the intricate

relationship among humans, technology, and nature. It Inspires me to ask: how can humans

redefine their identity and their place in a shared existence with non-humans and technology,

finding the way for a regenerative future? I delve into object-oriented ontology,

non-anthropocentrism and Jane Bennett’s "thing-power", vividly conveying the sensuality of a

fictional object through innovative Immersive art experiences. As vibrant entities, the fictional

objects exhibit the capacity to develop subjectivity, autonomy, and agency within various

narratives. I also employ bio-art practices to delve into technological ethics, such as questioning

the humanistic boundaries of invasive biotechnologies and synthetic biology. I prioritize

cross-sensory experiences, inviting audiences to engage with themes like bio-art, regenerative

design, synthetic biology, political ecology, and technoscientific ethics. I critically reimagine how

ecological systems and technological interventions can influence the present and future.


</description>
		
	</item>
		
		
	<item>
		<title>DeepEcoandTheSublime</title>
				
		<link>https://shontellexc.cargo.site/DeepEcoandTheSublime</link>

		<pubDate>Sat, 06 Mar 2021 18:03:08 +0000</pubDate>

		<dc:creator>Shontelle Xintong Cai</dc:creator>

		<guid isPermaLink="true">https://shontellexc.cargo.site/DeepEcoandTheSublime</guid>

		<description>Deep Ecology and The Sublime



	&#60;img width="6000" height="9862" width_o="6000" height_o="9862" data-src="https://freight.cargo.site/t/original/i/0e5f4b4aa952c4fa9c7fffb57992a1e272a2838d602f105659efa002165703f6/DeepEcoSulime-1.jpg" data-mid="101773522" border="0"  src="https://freight.cargo.site/w/1000/i/0e5f4b4aa952c4fa9c7fffb57992a1e272a2838d602f105659efa002165703f6/DeepEcoSulime-1.jpg" /&#62;
	




Royal College of Art - AcrossRCA / 2021#AcrossRCA is an annual, week-long programme that offers students the opportunity to collaborate across disciplines. 


 Make Your Art &#38;amp; Design Process More Ecological&#38;nbsp;Session Leads: Shontelle Xintong Cai, Lea Rose Kara 
Team Members: Jia Fei and WenQing Yao

Duration: 2 days

Session Outline:In
 the context of post-humanism, the ecological connections and inherent 
worth of human and non-human beings are discussed in depth. How can we 
learn and reflect on theories of deep ecology, whilst at the same time 
reviewing the self from an ecological perspective? If other agencies are
 imbued with meaning or feeling of the sublime, would it be helpful for 
humans to reconsider their connections to those other agencies, and 
ecological space? As contributors to the creative field, how can we 
explain and create a sublime experience for our audience?

The
 two-day workshop aims to analyze and explore the possibilities and 
methodologies of creating the sublime by introducing a sensory 
experience. Since the workshop will be organized as a continuous 
session, with both days being tightly interconnected, we encourage 
participants to attend both days to gain the full experience. Day 1 will
 introduce the framework of deep ecology and the sublime and day 2 will 
enable you to experiment and put that theory into practice. Participants
 will be expected to contribute to group discussions and collaborate 
with others with the aim of presenting their ideas and outcomes to the 
big group. &#38;nbsp;

Keywords: deep ecology, environment degradation, landscape, sublime, sensory experience.

Timetable:
Day One - Thursday 25 th  February (Talk) 11am - 1pm GMT
Theories

Introduction of Deep Ecology
Introduction of the Sublime


Case Studies
Introduction to Deep Ecology and the Sublime in art
Joseph Beuys and Olafur Eliasson (15 mins) do we need to include the time for this?
Marina Abramovic and the Eden Project

Q + A session
Day Two - Friday 26 th  February (Workshop) 11am - 1pm GMT
Summary of Day 1’s ideas and intro into the workshop’s aims
Breakout room challenge 1
Presentation of ideas/artworks to the general group + intro to challenge 2
Breakout room challenge 2
Presentation of ideas/artworks to the general groupConcluding thoughts, questions and ideas for future work





	
Day 1 Talk
	
Day 2 Workshop
	




&#60;img width="2100" height="1154" width_o="2100" height_o="1154" data-src="https://freight.cargo.site/t/original/i/b6840fac59fb1bf7d519853f393fd95654d40d6003370cde6679d78780d19a9c/Screen-Shot-2021-03-12-at-6.20.01-PM.png" data-mid="101774309" border="0"  src="https://freight.cargo.site/w/1000/i/b6840fac59fb1bf7d519853f393fd95654d40d6003370cde6679d78780d19a9c/Screen-Shot-2021-03-12-at-6.20.01-PM.png" /&#62;&#60;img width="2118" height="1180" width_o="2118" height_o="1180" data-src="https://freight.cargo.site/t/original/i/a00910c8f8e70567fc1e0e8c0876550a8cebf00566799912b17b5917541ac522/Screen-Shot-2021-03-12-at-6.20.15-PM.png" data-mid="101774313" border="0"  src="https://freight.cargo.site/w/1000/i/a00910c8f8e70567fc1e0e8c0876550a8cebf00566799912b17b5917541ac522/Screen-Shot-2021-03-12-at-6.20.15-PM.png" /&#62;
&#60;img width="2510" height="1444" width_o="2510" height_o="1444" data-src="https://freight.cargo.site/t/original/i/859666d8666cdf7fe35d81846afca710e9d4d5954ea6d43d740860257b29a36e/Screen-Shot-2021-03-12-at-6.29.19-PM.png" data-mid="101774751" border="0"  src="https://freight.cargo.site/w/1000/i/859666d8666cdf7fe35d81846afca710e9d4d5954ea6d43d740860257b29a36e/Screen-Shot-2021-03-12-at-6.29.19-PM.png" /&#62;</description>
		
	</item>
		
		
	<item>
		<title>Countermeasures</title>
				
		<link>https://shontellexc.cargo.site/Countermeasures</link>

		<pubDate>Fri, 12 Mar 2021 12:42:08 +0000</pubDate>

		<dc:creator>Shontelle Xintong Cai</dc:creator>

		<guid isPermaLink="true">https://shontellexc.cargo.site/Countermeasures</guid>

		<description>Countermeasures Forum



	
&#60;img width="2048" height="2048" width_o="2048" height_o="2048" data-src="https://freight.cargo.site/t/original/i/a75e096c5cd44922703e2a57bac4a59b1cd6ececd4e34a200bd72506cfafbec4/angus.jpg" data-mid="101788286" border="0"  src="https://freight.cargo.site/w/1000/i/a75e096c5cd44922703e2a57bac4a59b1cd6ececd4e34a200bd72506cfafbec4/angus.jpg" /&#62;&#60;img width="1876" height="1432" width_o="1876" height_o="1432" data-src="https://freight.cargo.site/t/original/i/9e0b1eb2de62af1b6b45bba971c696a5716a7fbea6d1298c519cc153892f88a7/Screen-Shot-2021-03-12-at-4.23.52-PM.png" data-mid="101787527" border="0"  src="https://freight.cargo.site/w/1000/i/9e0b1eb2de62af1b6b45bba971c696a5716a7fbea6d1298c519cc153892f88a7/Screen-Shot-2021-03-12-at-4.23.52-PM.png" /&#62;




Forum Recorder and Documentation / 2021Countermeasures is a research project created by Angus Main as part of the Information Experience Design programme at the Royal College of Art.
 The Countermeasures projects aims to increase awareness about, and agency over, the digital sensors which are all around us. You can know more from here&#38;nbsp;&#38;nbsp;Forum Recorder: Shontelle Xintong Cai, Saba Mundlay, Eun Sun Lim, Ai NakadaEditorial Design:&#38;nbsp;Shontelle Xintong Cai


&#60;img width="1884" height="1440" width_o="1884" height_o="1440" data-src="https://freight.cargo.site/t/original/i/9a4f5490861aa4165f0b87599ab586b5f98666cc2eb46fa9dab7173dd3e0c92f/Screen-Shot-2021-03-12-at-4.23.22-PM.png" data-mid="101787539" border="0"  src="https://freight.cargo.site/w/1000/i/9a4f5490861aa4165f0b87599ab586b5f98666cc2eb46fa9dab7173dd3e0c92f/Screen-Shot-2021-03-12-at-4.23.22-PM.png" /&#62;&#60;img width="1872" height="1448" width_o="1872" height_o="1448" data-src="https://freight.cargo.site/t/original/i/5dd0d1aa7fe40336dc910ad09a6bbcec68ec9354ec089bd26397aa5e2847653c/Screen-Shot-2021-03-12-at-8.50.27-PM.png" data-mid="101788111" border="0"  src="https://freight.cargo.site/w/1000/i/5dd0d1aa7fe40336dc910ad09a6bbcec68ec9354ec089bd26397aa5e2847653c/Screen-Shot-2021-03-12-at-8.50.27-PM.png" /&#62;

&#60;img width="1870" height="1434" width_o="1870" height_o="1434" data-src="https://freight.cargo.site/t/original/i/400001d4a9a9ef55271985d7e3f364920d009e07dad26b314f9d9e388922dede/Screen-Shot-2021-03-12-at-4.24.27-PM.png" data-mid="101787564" border="0"  src="https://freight.cargo.site/w/1000/i/400001d4a9a9ef55271985d7e3f364920d009e07dad26b314f9d9e388922dede/Screen-Shot-2021-03-12-at-4.24.27-PM.png" /&#62;
&#60;img width="1866" height="1384" width_o="1866" height_o="1384" data-src="https://freight.cargo.site/t/original/i/fbd3783da63beae3fc8330f091d1206b38c9d1eba36a54b49f8b26b2edd5a27b/Screen-Shot-2021-03-12-at-4.24.49-PM.png" data-mid="101787571" border="0"  src="https://freight.cargo.site/w/1000/i/fbd3783da63beae3fc8330f091d1206b38c9d1eba36a54b49f8b26b2edd5a27b/Screen-Shot-2021-03-12-at-4.24.49-PM.png" /&#62;

&#60;img width="1878" height="1430" width_o="1878" height_o="1430" data-src="https://freight.cargo.site/t/original/i/d91b76abd69a6108700edd0dc444a4c2545e9a604b8565e633406f82260a78b0/Screen-Shot-2021-03-12-at-8.46.24-PM.png" data-mid="101787761" border="0"  src="https://freight.cargo.site/w/1000/i/d91b76abd69a6108700edd0dc444a4c2545e9a604b8565e633406f82260a78b0/Screen-Shot-2021-03-12-at-8.46.24-PM.png" /&#62;&#60;img width="1876" height="1432" width_o="1876" height_o="1432" data-src="https://freight.cargo.site/t/original/i/fe99099b8380705ffc677fcbc295daf8764fde86cc6835979918d5922364a033/Screen-Shot-2021-03-12-at-4.23.52-PM.png" data-mid="101787573" border="0"  src="https://freight.cargo.site/w/1000/i/fe99099b8380705ffc677fcbc295daf8764fde86cc6835979918d5922364a033/Screen-Shot-2021-03-12-at-4.23.52-PM.png" /&#62;&#60;img width="1860" height="1436" width_o="1860" height_o="1436" data-src="https://freight.cargo.site/t/original/i/71182ba8b5da6123be65243f0de9c3c98f27aefa275d62e1c339f1f80ab8c599/Screen-Shot-2021-03-12-at-8.46.31-PM.png" data-mid="101787762" border="0"  src="https://freight.cargo.site/w/1000/i/71182ba8b5da6123be65243f0de9c3c98f27aefa275d62e1c339f1f80ab8c599/Screen-Shot-2021-03-12-at-8.46.31-PM.png" /&#62;&#60;img width="1856" height="1432" width_o="1856" height_o="1432" data-src="https://freight.cargo.site/t/original/i/4876c64a82177d7aee7f07c971c0cffa5168ffbddad0e02a055bf6f020d34e85/Screen-Shot-2021-03-12-at-8.46.37-PM.png" data-mid="101787763" border="0"  src="https://freight.cargo.site/w/1000/i/4876c64a82177d7aee7f07c971c0cffa5168ffbddad0e02a055bf6f020d34e85/Screen-Shot-2021-03-12-at-8.46.37-PM.png" /&#62;&#60;img width="1852" height="1422" width_o="1852" height_o="1422" data-src="https://freight.cargo.site/t/original/i/fb5e60ce8d584f635da108d0b369ce6dc21d0eda8c7efc30272290fac643b516/Screen-Shot-2021-03-12-at-8.46.53-PM.png" data-mid="101787764" border="0"  src="https://freight.cargo.site/w/1000/i/fb5e60ce8d584f635da108d0b369ce6dc21d0eda8c7efc30272290fac643b516/Screen-Shot-2021-03-12-at-8.46.53-PM.png" /&#62;</description>
		
	</item>
		
		
	<item>
		<title>Digital Utopia</title>
				
		<link>https://shontellexc.cargo.site/Digital-Utopia</link>

		<pubDate>Sat, 06 Mar 2021 18:03:09 +0000</pubDate>

		<dc:creator>Shontelle Xintong Cai</dc:creator>

		<guid isPermaLink="true">https://shontellexc.cargo.site/Digital-Utopia</guid>

		<description>A Digtal Utopia For The Institution



	&#60;img width="6000" height="10500" width_o="6000" height_o="10500" data-src="https://freight.cargo.site/t/original/i/43888ba7cb71a23bc41ffb20c5ba015f26218440cedabc40cb2d8993878a7d62/turbine-hall.jpg" data-mid="101782664" border="0"  src="https://freight.cargo.site/w/1000/i/43888ba7cb71a23bc41ffb20c5ba015f26218440cedabc40cb2d8993878a7d62/turbine-hall.jpg" /&#62;
	




Royal College of Art- AcrossRCA &#124; Speculative Project Plans &#124; Questioning Online Curating / 2021
 A collaborative project by Fergus Wiltshire and Shontelle Xintong Cai, 
Curation Mentor: Hang Li

 We invite participants to enter our fantastical world in which we know no limits. A Digital Utopia for the Institution explores the idea of an immersive space online by fusing our understanding of the physical world with the endless possibilities of the digital. In this utopian fantasy in relation to Tate’s Turbine Hall, we see digital art freely controlling the space and interacting with works from the physical in an exciting mix of game play reality and virtual exhibition display. The exhibition furthermore, immerses the viewer in a sensorial experience in which we encourage them to set free their inhibitions and enter a world of possibility.
 -&#38;nbsp;










Perceptual Experience and Sensory Memnory:&#38;nbsp;Skin, Smell, Vision, Hearing, Haptic, Kinesthesia
-&#38;nbsp; Walking-orientated practices in digital architecture
-&#38;nbsp; Material and immaterial geographies of the curation space
-&#38;nbsp; Mixed Reality
-&#38;nbsp; Edutainment
-&#38;nbsp; Accessibility





	
Research Document Sample
&#60;img width="2058" height="1146" width_o="2058" height_o="1146" data-src="https://freight.cargo.site/t/original/i/d9a4ebc763a2995f10853d090ff3de3ee4331947c9d2437b5f375dfdcb8ae2bf/Screen-Shot-2021-03-12-at-7.57.54-PM.png" data-mid="101782840" border="0"  src="https://freight.cargo.site/w/1000/i/d9a4ebc763a2995f10853d090ff3de3ee4331947c9d2437b5f375dfdcb8ae2bf/Screen-Shot-2021-03-12-at-7.57.54-PM.png" /&#62;
&#60;img width="2102" height="1188" width_o="2102" height_o="1188" data-src="https://freight.cargo.site/t/original/i/e8727727a0a9a9643909759309b16ded32cb8218e832391e71eed82ab85a183e/Screen-Shot-2021-03-12-at-7.55.42-PM.png" data-mid="101782712" border="0"  src="https://freight.cargo.site/w/1000/i/e8727727a0a9a9643909759309b16ded32cb8218e832391e71eed82ab85a183e/Screen-Shot-2021-03-12-at-7.55.42-PM.png" /&#62;&#60;img width="2008" height="1178" width_o="2008" height_o="1178" data-src="https://freight.cargo.site/t/original/i/b1469f4969c77509de401577240f0208e5b090f034e1e7b144128cbe1a80e573/Screen-Shot-2021-03-12-at-7.55.32-PM.png" data-mid="101782741" border="0"  src="https://freight.cargo.site/w/1000/i/b1469f4969c77509de401577240f0208e5b090f034e1e7b144128cbe1a80e573/Screen-Shot-2021-03-12-at-7.55.32-PM.png" /&#62;&#60;img width="2100" height="1138" width_o="2100" height_o="1138" data-src="https://freight.cargo.site/t/original/i/7f444f80354ea100b88a563d8fe023c2ba9534d01836dc53a05e5613b1f1acc5/Screen-Shot-2021-03-12-at-7.57.14-PM.png" data-mid="101782794" border="0"  src="https://freight.cargo.site/w/1000/i/7f444f80354ea100b88a563d8fe023c2ba9534d01836dc53a05e5613b1f1acc5/Screen-Shot-2021-03-12-at-7.57.14-PM.png" /&#62;
&#60;img width="1494" height="964" width_o="1494" height_o="964" data-src="https://freight.cargo.site/t/original/i/12ebd86e3a35f8d28080759d7380e31bdd9833e5bd3aad77a895da67f0582857/Screen-Shot-2021-03-12-at-7.56.45-PM.png" data-mid="101782809" border="0"  src="https://freight.cargo.site/w/1000/i/12ebd86e3a35f8d28080759d7380e31bdd9833e5bd3aad77a895da67f0582857/Screen-Shot-2021-03-12-at-7.56.45-PM.png" /&#62;&#60;img width="1936" height="958" width_o="1936" height_o="958" data-src="https://freight.cargo.site/t/original/i/7cdc8daba35cd2232f349efe4d3d68a6437b0a2ed0588ca8f6868275962e8c98/Screen-Shot-2021-03-12-at-8.02.37-PM.png" data-mid="101783407" border="0"  src="https://freight.cargo.site/w/1000/i/7cdc8daba35cd2232f349efe4d3d68a6437b0a2ed0588ca8f6868275962e8c98/Screen-Shot-2021-03-12-at-8.02.37-PM.png" /&#62;


</description>
		
	</item>
		
		
	<item>
		<title>Microfluids</title>
				
		<link>https://shontellexc.cargo.site/Microfluids</link>

		<pubDate>Wed, 06 Apr 2022 14:53:47 +0000</pubDate>

		<dc:creator>Shontelle Xintong Cai</dc:creator>

		<guid isPermaLink="true">https://shontellexc.cargo.site/Microfluids</guid>

		<description>










You Are Sensual in Vitro: A Visual Letter&#38;nbsp;











For The Cell-based Microfluidic Brain-on-a-chip











	
&#60;img width="2880" height="1800" width_o="2880" height_o="1800" data-src="https://freight.cargo.site/t/original/i/7cfb7655019e240ccef5b3e869536f322f175db02dc7ec5e88e307742a44458a/Screen-Shot-2021-03-26-at-5.05.48-PM.png" data-mid="138873903" border="0"  src="https://freight.cargo.site/w/1000/i/7cfb7655019e240ccef5b3e869536f322f175db02dc7ec5e88e307742a44458a/Screen-Shot-2021-03-26-at-5.05.48-PM.png" /&#62;
&#60;img width="2872" height="1519" width_o="2872" height_o="1519" data-src="https://freight.cargo.site/t/original/i/5d3ce4c5ffb631918b52a0c2aaf33b1c528f8489cdd3037288543387c8e4adba/poster3.jpeg" data-mid="138873421" border="0"  src="https://freight.cargo.site/w/1000/i/5d3ce4c5ffb631918b52a0c2aaf33b1c528f8489cdd3037288543387c8e4adba/poster3.jpeg" /&#62;
&#60;img width="2880" height="1800" width_o="2880" height_o="1800" data-src="https://freight.cargo.site/t/original/i/992a363b129a36520c04f82d875627beaccd429569df7259f05dc6ce776b8f30/Screen-Shot-2021-03-26-at-5.06.15-PM.png" data-mid="138873970" border="0"  src="https://freight.cargo.site/w/1000/i/992a363b129a36520c04f82d875627beaccd429569df7259f05dc6ce776b8f30/Screen-Shot-2021-03-26-at-5.06.15-PM.png" /&#62;
&#60;img width="2880" height="1800" width_o="2880" height_o="1800" data-src="https://freight.cargo.site/t/original/i/27ba939e367f30aa5965fd9f5bfa45b60e24ee4a90ce42292596e65bfbe7d03a/Screen-Shot-2021-03-26-at-5.05.26-PM.png" data-mid="138873967" border="0"  src="https://freight.cargo.site/w/1000/i/27ba939e367f30aa5965fd9f5bfa45b60e24ee4a90ce42292596e65bfbe7d03a/Screen-Shot-2021-03-26-at-5.05.26-PM.png" /&#62;
&#60;img width="2880" height="1800" width_o="2880" height_o="1800" data-src="https://freight.cargo.site/t/original/i/2200e683f97050de4bf841fd4c6fdb373b4b374d66723b109a506586f67f956f/Screen-Shot-2021-03-26-at-5.05.15-PM.png" data-mid="138873962" border="0"  src="https://freight.cargo.site/w/1000/i/2200e683f97050de4bf841fd4c6fdb373b4b374d66723b109a506586f67f956f/Screen-Shot-2021-03-26-at-5.05.15-PM.png" /&#62;





Royal College of Art &#124; Echoes of Science ONLINE Exhibition &#124; 2021
 











“You Are Sensual in Vitro” is a visual epistolary document to the cell-based microfluidic brain-on-a-chip, celebrating its birth and having an intimate conversation related to bio-art.



This project intends to explore Jane Bennett’s “thing-power” and depict the sensuality of a fictional object via epistolary methodologies and visual design. 




As a vibrant being, the microfluidic device shows its possibilities of developing subjectivity, autonomy and agency in narration. The project presents a experimental letter from the human artist Shontelle to her microfluidic brain-on-a-chip in 2068. 


In the future, the applications of microfluidics devices and cell-based biosensors could have the potential to create a new episode of bio-art. What if your microfluidic chip shares the collective biological information with you? Will you make a collaborative artwork with the “semi-living object”?



There are two ways to enjoy the project, with (Click to explore): pure audio description or&#38;nbsp;visual letter (moving image)









	
Research&#38;nbsp;
Inspired by Open-source, community-driven microfluidics with Metafluidics David Kong. Nature Biotechnology 35, 523–529 (2017)


I started researching and gave a presentation in relation to the possibilities of microfluidic devices and bio-art practice. My expectation was to create a futuristic proposal to work with the new technologies in the bio-art field.





Writing &#38;amp; Audio Recording











Wording pratice by several thumbnails
Tonality practice and perform as a piece of poetry





&#60;img width="3750" height="3542" width_o="3750" height_o="3542" data-src="https://freight.cargo.site/t/original/i/2e07b35e452dffbf77fbde8d48534f00f53769f022804e8606861c8ed5ec6511/letterArtboard-1-1.jpeg" data-mid="138873554" border="0"  src="https://freight.cargo.site/w/1000/i/2e07b35e452dffbf77fbde8d48534f00f53769f022804e8606861c8ed5ec6511/letterArtboard-1-1.jpeg" /&#62;












Visual system exploration &#38;amp; Video Editing


Creating video clips of droplets, membranes, and channels by various 3D modelling, creative coding and motion graphics techniques.
&#60;img width="2872" height="1519" width_o="2872" height_o="1519" data-src="https://freight.cargo.site/t/original/i/5d3ce4c5ffb631918b52a0c2aaf33b1c528f8489cdd3037288543387c8e4adba/poster3.jpeg" data-mid="138873421" border="0"  src="https://freight.cargo.site/w/1000/i/5d3ce4c5ffb631918b52a0c2aaf33b1c528f8489cdd3037288543387c8e4adba/poster3.jpeg" /&#62;




&#60;img width="2954" height="1662" width_o="2954" height_o="1662" data-src="https://freight.cargo.site/t/original/i/6e26e6c63844a9c80d2bcbfb4320c93b6a92593d2b60b9c0287f325ae86f2989/IMG_20210324_052036-2.jpeg" data-mid="138873709" border="0"  src="https://freight.cargo.site/w/1000/i/6e26e6c63844a9c80d2bcbfb4320c93b6a92593d2b60b9c0287f325ae86f2989/IMG_20210324_052036-2.jpeg" /&#62;


</description>
		
	</item>
		
		
	<item>
		<title>Chromosonic Strolls</title>
				
		<link>https://shontellexc.cargo.site/Chromosonic-Strolls</link>

		<pubDate>Tue, 18 Mar 2025 01:48:57 +0000</pubDate>

		<dc:creator>Shontelle Xintong Cai</dc:creator>

		<guid isPermaLink="true">https://shontellexc.cargo.site/Chromosonic-Strolls</guid>

		<description>










Chromosonic Stroll- Exhibit Design for Vision Impairment






	&#60;img width="1702" height="2268" width_o="1702" height_o="2268" data-src="https://freight.cargo.site/t/original/i/1290d96b3a14d30de740e4589b86de62933ae83d896cf93beb7b52b7a92ee7ca/SXC-poster11.jpg" data-mid="228404925" border="0"  src="https://freight.cargo.site/w/1000/i/1290d96b3a14d30de740e4589b86de62933ae83d896cf93beb7b52b7a92ee7ca/SXC-poster11.jpg" /&#62;&#60;img width="1024" height="1364" width_o="1024" height_o="1364" data-src="https://freight.cargo.site/t/original/i/8b8040d95d09d6c2a373ad616764f478fca05a15f01aeaa900cc8be8db09c9c7/retouch_20250301120554741.jpg" data-mid="228404927" border="0"  src="https://freight.cargo.site/w/1000/i/8b8040d95d09d6c2a373ad616764f478fca05a15f01aeaa900cc8be8db09c9c7/retouch_20250301120554741.jpg" /&#62;




Exhibit Design &#124; 2024-
 

This exhibition reimagines social media navigation through the lens of visually impaired users, interrogating how digital platforms’ dopamine-driven interfaces can be translated into multisensory experiences. Drawing from Abraham Burickson’s Experience Design: A Participatory Manifesto (2023), the installation explores "color hunger"—the paradoxical desire to transform visual stimuli into accessible, immersive sensory languages. By merging fragmented digital aesthetics with tactile and auditory installations, the work challenges conventional understandings of accessibility, framing it as a collaborative act of world-building.
The exhibition’s design centers on improvised sensory alchemy, where visitors encounter interactive stations that convert visual elements like hashtags, emojis, and algorithmic feeds into&#38;nbsp;pulsating soundscapes&#38;nbsp;(rhythmic beats corresponding to trending topics),&#38;nbsp;texture-coded gestures&#38;nbsp;(vibrations mapped to emotional tones of social media content), and crowdsourced audio narratives. A central tactile wall mimics smartphone swiping, with each gesture triggering vibrations that encode the emotional valence of viral posts, while an adjacent soundscape layers ASMR-like whispers ("cerulean tastes like cold mint") over algorithmically distorted notifications, creating a disorienting yet immersive digital ecosystem.
Visitors navigate a space where monochromatic backdrops are periodically disrupted by neon flares, symbolizing the tension between sensory euphoria&#38;nbsp;and&#38;nbsp;attention economy fatigue. A circular projection area displays glitching interfaces—blurred feeds and fragmented emojis—accompanied by generative soundscapes that evolve based on audience interaction. A collaborative audio booth invites participants to contribute their own interpretations of "color" through voice recordings, which are then woven into the exhibition’s ongoing sound narrative, embodying Burickson’s ethos of participatory design.
By reframing scrolling as performative listening, the installation redefines accessibility not as a technical accommodation but as a collective poetic act. Each gesture, sound, and tactile encounter composes ephemeral stories in the "algorithmic dark," advocating for a future where digital spaces are co-created through shared sensory grammars. Ultimately, Reconstructing the Digital Palette posits that true inclusivity lies in dissolving the boundaries between human and machine, allowing marginalized perspectives to reshape the sensory vocabularies of technology.






&#60;img width="1024" height="1364" width_o="1024" height_o="1364" data-src="https://freight.cargo.site/t/original/i/8fa18d6eb39191ad260e9fc31938c05043b9e912b3e97a33f877c6899c505898/retouch_2025030112062234.jpg" data-mid="228404930" border="0"  src="https://freight.cargo.site/w/1000/i/8fa18d6eb39191ad260e9fc31938c05043b9e912b3e97a33f877c6899c505898/retouch_2025030112062234.jpg" /&#62;&#60;img width="1024" height="1364" width_o="1024" height_o="1364" data-src="https://freight.cargo.site/t/original/i/adaa55512bae6ed49295d9a7b53932b026f249d5245dac395796d3b279288ebf/retouch_20250301120648511.jpg" data-mid="228404929" border="0"  src="https://freight.cargo.site/w/1000/i/adaa55512bae6ed49295d9a7b53932b026f249d5245dac395796d3b279288ebf/retouch_20250301120648511.jpg" /&#62;


	



</description>
		
	</item>
		
		
	<item>
		<title>Augmenting Morphology</title>
				
		<link>https://shontellexc.cargo.site/Augmenting-Morphology-1</link>

		<pubDate>Mon, 30 May 2022 13:19:46 +0000</pubDate>

		<dc:creator>Shontelle Xintong Cai</dc:creator>

		<guid isPermaLink="true">https://shontellexc.cargo.site/Augmenting-Morphology-1</guid>

		<description>










Augmenting Morphology in Sonic Cabinet of Curiosities



(IRCAM 2022, Paris)
	




IRCAM 2022, Paris &#124; 2022
 In the project “Augmenting Morphology, a Sonic Cabinet of Curiosities”, a soundscape is able to bridge fiction and reality. The artist investigates new insights into spectromophology and biological morphology in micro. The aesthetics of electroacoustic narratives and bio-visualization emerge from a speculative acoustic territory from a Wunderkammer (Cabinet of Curiosities) of a fictional post-specimen museum. 
The collections of unknown and fantasy objects are AI-generated specimens based on real microscopic images observed by the artist. The artist explores the potential role of machine learning and computer-assisted composition in the process of curating, analyzing and generating the sonic, visual and textual variations associated with fictional specimens. 
The audiences get to perceive and build the knowledge of fictional specimens when processing and fusing multiple modalities simultaneously, particularly in this project, is the engagement of vision and audio. By exploring the multimodal storytelling and combinatory creativity of a series of specimens and sound effects, sensory information begins to flow, migrate and further create novel enigmatic mood and memory. Noise is constantly generated under the collision of synthesizer, code, image data. 
The establishment of spectral spatiality is contributed from granular synthesis and microsound in composition. Within an immersive audiovisual environment, the audiences observe the Cabinet of Curiosities included AI-generated microbes and sound objects. This project intends to envelop data sonification, sound synthesis and digital image analysis of machine learning via open-source computer vision, Wekinator, and MAX/MSP etc.























	
Research&#38;nbsp;
Microsound, spectromorphology, motion “microscopy”










&#60;img width="1712" height="968" width_o="1712" height_o="968" data-src="https://freight.cargo.site/t/original/i/a3c85a7801e5feb0b818d62c7f6a4c255cbdb7b5c3cc1c29c8e94870edfd0611/Screen-Shot-2022-05-30-at-2.27.54-PM.png" data-mid="144048274" border="0"  src="https://freight.cargo.site/w/1000/i/a3c85a7801e5feb0b818d62c7f6a4c255cbdb7b5c3cc1c29c8e94870edfd0611/Screen-Shot-2022-05-30-at-2.27.54-PM.png" /&#62;&#60;img width="1934" height="1092" width_o="1934" height_o="1092" data-src="https://freight.cargo.site/t/original/i/e35f2e514a3641ee19bf37980d8c494f4ed769d11a614dd84c2e304050a94c23/Screen-Shot-2022-05-30-at-2.28.16-PM.png" data-mid="144048448" border="0"  src="https://freight.cargo.site/w/1000/i/e35f2e514a3641ee19bf37980d8c494f4ed769d11a614dd84c2e304050a94c23/Screen-Shot-2022-05-30-at-2.28.16-PM.png" /&#62;&#60;img width="1934" height="1086" width_o="1934" height_o="1086" data-src="https://freight.cargo.site/t/original/i/0b4937ecac39b8696db464fb272591830fcf10f6536f01ea1016f57ef71835ac/Screen-Shot-2022-05-30-at-2.28.37-PM.png" data-mid="144048449" border="0"  src="https://freight.cargo.site/w/1000/i/0b4937ecac39b8696db464fb272591830fcf10f6536f01ea1016f57ef71835ac/Screen-Shot-2022-05-30-at-2.28.37-PM.png" /&#62;


&#60;img width="1672" height="952" width_o="1672" height_o="952" data-src="https://freight.cargo.site/t/original/i/85b5e4a64653184d488cbddc0329e3dfb4d96f3e3cea899d0dbeae0829651beb/Screen-Shot-2022-05-30-at-2.28.50-PM.png" data-mid="144048450" border="0"  src="https://freight.cargo.site/w/1000/i/85b5e4a64653184d488cbddc0329e3dfb4d96f3e3cea899d0dbeae0829651beb/Screen-Shot-2022-05-30-at-2.28.50-PM.png" /&#62;




















</description>
		
	</item>
		
		
	<item>
		<title>You Are Sensual In Vitro</title>
				
		<link>https://shontellexc.cargo.site/You-Are-Sensual-In-Vitro</link>

		<pubDate>Thu, 10 Apr 2025 14:30:50 +0000</pubDate>

		<dc:creator>Shontelle Xintong Cai</dc:creator>

		<guid isPermaLink="true">https://shontellexc.cargo.site/You-Are-Sensual-In-Vitro</guid>

		<description>You Are Sensual In Vitro (2024 ver.)&#38;nbsp;


	
    
    
    









FaB &#124; 2025


Neo-organica Nexus &#124; 2024
Click Here to VIEW

"You Are Sensual in Vitro" is a visual epistolary 
project that boldly explores the possibilities of the future of 
human-machine dialogue within the framework of conceptual art and 
bio-technology. Centered on a cell-based microfluidic brain-on-a-chip, 
the work celebrates its "birth" and engages in an intimate dialogue 
related to bio-art.
The 
project aims to delve into Jane Bennett’s "thing-power" and vividly 
convey the sensuality of a fictional object through innovative 
epistolary methodologies and cutting-edge visual design, with a strong 
emphasis on the integration of art and technology. It introduces a 
pioneering concept that merges data from the brain with biotechnological
 data to create immersive dialogic experiences—much like how digital 
visualization can bridge diverse forms of information.
As
 a vibrant entity, the microfluidic device demonstrates its potential to
 develop subjectivity, autonomy, and agency within its narrative. The 
project presents a futuristic experimental letter from the human artist 
Shontelle to her microfluidic brain-on-a-chip in the year 2068.In
 the future, the applications of microfluidic devices and cell-based 
biosensors hold the promise of pioneering a new chapter in bio-art. What
 if a microfluidic chip were to share collective biological information 
with you in a visually immersive digital manner? Would you collaborate 
to create an artwork with this "semi-living object", further blurring 
the boundaries between art, technology, and digital visualization?





















	











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		<title>Trillium: Transcultural and Sensual Alchemy of Healing</title>
				
		<link>https://shontellexc.cargo.site/Trillium-Transcultural-and-Sensual-Alchemy-of-Healing</link>

		<pubDate>Tue, 06 May 2025 14:43:32 +0000</pubDate>

		<dc:creator>Shontelle Xintong Cai</dc:creator>

		<guid isPermaLink="true">https://shontellexc.cargo.site/Trillium-Transcultural-and-Sensual-Alchemy-of-Healing</guid>

		<description>Trillium: Transcultural and Sensual Alchemy of Healing










Cultural Amalgamates, Collective Ecological Memory&#38;nbsp; &#124; 2025
 Click Here to VIEW

Rooted in the trillium’s practices as natural remedies and myths, “Trillium: Transcultural and Sensual Alchemy of Healing” is a video installation intending to sensually unfolds the essence of the trillium as a sensorial symphony. From the past, present and future threads of human activities, the moving image vividly depicts its profound capacity to heal both body and mind.

By drawing inspiration from the poetic themes that explore the trillium's connection to diverse elements such as food, medicine, microscopic life, garden sanctuaries, museological evidence and cosmic seeds, this immersive video installation weaves rich sensual experiences and a bridge of Chinese and Canadian Indigenous cultures. At the beginning, this work creates a transcultural dialogue celebrating shared reverence for nature’s curative power. Both the Chinese legend of Shennong, the divine farmer who discovered herbal medicine, as well as the Ojibwe people’s oral traditions converge in their reverence for the trillium as a symbol of spiritual belief, uniting these geographically distant cultures across hemispheres. Later, it gradually unfolds the trillium's beauty and significance, from the microscopic details of its cells and pollen to the grandeur of its presence in the garden-like virtual landscapes. The futuristic exhibition of trillium blurs the lines between the digital and the real. In the end, the trillium seeds return back to nature, the universe, echoing the process of life in macro and micro.

This work reimagines healing as a collective and interactive ritual. Visitors actively participate in co-creating "healing scrolls" through their experiences and meditations within the exhibition space. The immersive moving images not only advocate for ecological stewardship but also promote cross-cultural empathy. It posits nature as a universal language that has the power to unite humanity and technology, all in the service of collective well-being.


















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